孩童时代，美好的梦境里，有蓝色的小矮人
蓝精灵是比利时的作品，但是由美国购买版权，制作的动画片
小时候，最讨厌格格巫和阿兹猫
大约，儿童期对猫无好感，归功于此动画
这群蓝色小朋友，其实都老大不小了
比miffy兔子年轻一点，但今年，也都50大寿
他们怎么就不老呀！
果然是童话仙境，精灵永不老！
对了，想起在f汽车公司的帅哥说，他们有日吃午饭，发现同事几个都是蓝色衬衫，笑话自己蓝领已经不足，他们开始叫自己Smurf！实在可爱！
漫画《蓝精灵》（法语：Schtroumpf，英语：Smurf，德语：Schlumpf）1958年由比利时漫画家沛優（Peyo）及其夫人共同创作。蓝精灵是一群可爱的生活在大森林中带着白色小帽子的蓝色小精灵。1959年比利时电视台开始播放蓝精灵动画片，1981年美国國家廣播公司制作并播放美国版的《蓝精灵》动画片后，受到全世界孩子的欢迎。台灣中華電視台播映時，譯為《藍色小精靈》。
2010年派拉蒙电影公司旗下的点唱机影业（Nickelodeon Movies）全电脑动画《蓝精灵》电影三部曲将上映。
SMURFS确实是一个臆造词，因为蓝精灵身高只有三个苹果那么高，身材矮小，又住在蘑菇房子里，所以制作方从 “small"（小）、“dwarf"（矮人）和“mushroom"（蘑菇）三个词中提取揉合，便形成了“SMURFS"这一单词
主要动画人物
Gargamel，大陸譯：格格巫，港譯：加達，台譯：賈不妙
Hogathe，台譯：歐加達(法文的人名H通常不發音，比較正確)，又譯：哈加達
Papa Smurf，大陸譯：蓝爸爸，港譯：精靈爸爸，台譯：老爸
Baby Smurf，大陸譯：聪聪，港譯：精靈BB，台譯：小寶貝
Smurfette，大陸譯：蓝妹妹，港譯：美芝，台譯：小美人
Brainy，港譯：智多星，台譯：小聰明
Azrael，大陆译：阿兹猫；港譯：阿沙，台譯：大笨貓
Cook Smurf，台譯：小廚師
Farmer Smurf，台譯：小農夫(還有一個跟他長的很像，但是是不同人，叫小自然，年紀較小)
Greedy，港譯：為食鬼，台譯：小貪吃
Grouchy，港譯：囉嗦王，台譯：小討厭嘮
Handy，港譯：阿漢，台譯：小幫手(還有一個叫小工匠，兩個好像是同一個人)
Harmony，港譯：音樂家，台譯：小音樂家
Hefty，港譯：阿威，台譯：小壯丁
Jokey，台譯：小搗蛋
Lazy Smurf，台譯：小懶惰
Poet Smurf，台譯：小詩人
Smurf，台譯：小精靈
Vanity Smurf，台譯：風頭小子(還有一個叫小帥哥，兩個好像是同一個人)
Clumsy Smurf，台譯：小笨蛋
Painter Smurf，台譯：小畫家
Peyo，本名Pierre Culliford於1928年生於布魯塞爾
Pierre Culliford (June 25, 1928 – December 24, 1992), known as Peyo, was a Belgian comics artist, perhaps best known for the creation of The Smurfs comic strip.
Biography
Peyo was born in 1928 in Brussels as the son of an English father and a Belgian mother.[1] He took on the name "Peyo" early in his professional career, based on an English cousin's mispronunciation of Pierrot (a diminutive form of Pierre).
Peyo began work, fresh out of school, at the Compagnie Belge d'Animation (CBA), a small Belgian studio of animated movies, where he met a few of his future colleagues and co-celebrities, like André Franquin, Morris and Eddy Paape. When the studio folded after the war, the other artists went to work for Dupuis, but Peyo, a few years younger than the others, was not accepted.[1] He made his first comics for the newspaper La Dernière Heure (The Latest Hour), but also accepted many promotional drawing jobs for income. From 1949 to 1952, he drew Poussy, a stop comic about a cat, for Le Soir. For the same newspaper, he also created Johan.
In 1952, Franquin introduced Peyo to Le Journal de Spirou, a children's comics magazine published by Dupuis which first appeared in Belgium in 1938.[1] Peyo wrote and drew a number of characters and storylines, including Pierrot, and Benoît Brisefer (translated into English as Steven Strong). But his favourite was Johan et Pirlouit (translated into English as Johan and Peewit), which was a continuation of the series Johan he had created earlier. He also continued Poussy in Spirou.
Set in the Middle Ages in Europe, Johan is a brave young page to the king, and Peewit (pronounced Pee-Wee) is his faithful, if boastful and cheating, midget sidekick. Johan rides off to defend the meek on his trusty horse, while Peewit gallops sporadically behind on his goat, named Biquette. The pair are driven by duty to their king and the courage to defend the underpowered. Peewit only appeared in the third adventure in 1954, but would stay for all later adventures.
The first smurf appeared in Johan and Peewit on 23 October 1958 in the album La Flûte à Six Schtroumpfs (The Six Smurfed Flute). As the smurfs became increasingly popular, Peyo started a studio in the early 1960s, where a number of talented comic artists started to work. Peyo himself supervised the work and worked primarily on Johan and Peewit, leaving the smurfs to the studio. The most notable artists to come out of this studio are Walthéry, Wasterlain, Gos, Derib, Degieter, and Desorgher.
In 1959, the Smurfs got their own series, and in 1960, two more began: Steven Strong and Jacky and Célestin. Many authors of the Marcinelle school collaborated on the writing or as artist, including Will, Yvan Delporte, and Roger Leloup. Peyo became more of a businessman and supervisor, and was less involved in the actual creation of the comics. He let his son Thierry Culliford lead the studio, while his daughter Véronique was responsible for the merchandising.[1]
The merchandising of the Smurfs began in 1959, with the PVC figurines as the most important aspect until the late 1970s. Then, with the success of the Smurf records by Father Abraham, the Smurfs achieved more international success, with a new boom in toys and gadgets. Some of these reached the United States, where Hanna-Barbera created a Saturday morning animated series in 1981. Peyo was overwhelmed by the success and his health began to fail.
Peyo died of a heart attack in Brussels at age 64. The studio, however continued, and new stories in different series still appear under his name.
Bibliography
Only those comics Peyo collaborated on are listed here: the comics made in those series after his death can be found in the articles for each series. Artist and writers mentioned are only those officially credited: unnamed Studio collaborators are not named here.
Jacky and Célestin, 1960-1978: 10 stories in Le Soir, 4 albums by Dupuis: artwork by François Walthéry, Francis, Jo-El Azara and Mitteï, stories by Peyo, Gos, and Vicq
Johan and Peewit, 1952-1970: 13 albums by Dupuis
Natacha, 1992: 1 album by Dupuis, artwork by Walthéry, story by Peyo
Pierrot: 1991, 1 album by Cartoon Creation
Poussy, 1977-1978, 3 albums by Dupuis
The Smurfs (Les Schtroumpfs), 1959-1992, 17 albums by Dupuis: additional artwork by Alain Maury and Luc Parthoens, additional stories by Yvan Delporte, Gos, Thierry Culliford
Spirou et Fantasio, 1969, 1 album by Dupuis, artwork by André Franquin and Jidéhem, story by Peyo and Gos
Steven Strong (Benoît Brisefer), 1960-1978, 7 albums by Dupuis, additional artwork by Will, Walthéry, Marc Wasterlain and Albert Blesteau, additional stories by Yvan Delporte, Gos, and Blesteau
Awards
1984: Youth Prize (9-12 years) at the Angoulême International Comics Festival, France
中文版蓝精灵之歌
http://v.blog.sohu.com/u/vw/1316494
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