他扭曲的钟是我对时间最直面的感受，一切都是永远
永远就是扭曲的时间
或许，某一瞬，时空移位，一切重叠
或许，某一刻，曲面游离，一切渐远
他的作品数不清
只知道，有日，一定去看他的大宅，那个象宫殿一样的迷宫
当然，他的私生活和政治立场，我无兴趣探究
他是不是candaulism，不关我事
他多热衷 anarchism， 也事不关己
反正，他的画，我画不出
要电脑ps加数层layout才可以做
所以说，他很厉害！
The Persistence of Memory
his house
萨尔瓦多·达利（西班牙文：Salvador Dalí，全名Salvador Domingo Felipe Jacinto Dalí i Domènech，1904年5月11日－1989年1月23日）是着名的西班牙加泰罗尼亚画家，因他的超现实主义作品而闻名。达利是一位具有非凡才能和想象力的艺术家，他的作品将怪异梦境般的形象与卓越的绘图技术和受文艺复兴大师影响的绘画技巧令人惊奇地混合在一起。他有一种对做出出格的事物而引起他人注意的狂热爱好，并影响至他的公众艺术形象，使他的艺术爱好者与评论家异常苦恼。
達利，六歲就能畫出成熟的風景畫，七歲想成為拿破崙，十歲就以印象派畫家自居，十五歲就定期撰寫藝術評論討論文藝復興時代的米開蘭基羅和達文西，十七歲學野獸派、十九歲學立體派風格，而在二十五歲之前就早早地樹立自己那種曠世絕無的特殊畫風。對這樣的藝術奇才，任何讚頌都是多餘的。
達利生於西班牙東北部卡塔崙亞（Catalunya）地區的費格拉斯，十七歲才到馬德里，二十二歲才到巴黎。世界性的達利，在成長的過程中其實是很本土的，他除二次大戰為逃離納粹迫害而流亡美國，住了八年（1940-48）外，一生大多在故鄉過。自羅馬時代以來，卡塔崙亞便是一個本土意識極強的地方，達利講卡塔蘭話（Catalan），第一篇藝術評論及早期文章都用卡塔蘭文寫作。我們可以說達利是一個標準的卡塔蘭人，比起前輩大畫家畢卡索，達利的鄉曲性實在夠重的，然而他終於成就最普世性的藝術，並且成為最國際化的人物。時間上，達利藝術創作的根深植於過去四千年的傳統，空間上，這個根也深深栽入他「生於斯、長於斯、死於斯」的卡塔崙亞的泥土。我們從達利又體會到另一個道理：地區的本土性和人類的普遍性不會牴觸，毋寧說是相輔相成。
他一生有超过1500副作品，其中有卡通短篇一部，在他死后，2003年由Disney发行
1910 Landscape Near Figueras
1913 Vilabertin
1916 Fiesta in Figueras (begun 1914)
1917 View of Cadaqués with Shadow of Mount Pani
1918 Crepuscular Old Man (begun 1917)
1919 Port of Cadaqués (Night) (begun 1918) and Self-portrait in the Studio
1920 The Artist’s Father at Llane Beach and View of Portdogué (Port Aluger)
1921 The Garden of Llaner (Cadaqués) (begun 1920) and Self-portrait
1922 Cabaret Scene and Night Walking Dreams
1923 Self Portrait with L'Humanite and Cubist Self Portrait with La Publicitat
1924 Still Life (Syphon and Bottle of Rum) (for García Lorca) and Portrait of Luis Buñuel
1925 Large Harlequin and Small Bottle of Rum, and a series of fine portraits of his sister Anna Maria, most notably Figure At A Window
1926 Basket of Bread and Girl from Figueres
1927 Composition With Three Figures (Neo-Cubist Academy) and Honey is Sweeter Than Blood (his first important surrealist work)
1929 Un chien andalou (An Andalusian Dog) film in collaboration with Luis Buñuel, The Lugubrious Game, The Great Masturbator, The First Days of Spring, and The Profanation of the Host
1930 L'Âge d'Or (The Golden Age) film in collaboration with Luis Buñuel
1931 The Persistence of Memory (his most famous work, featuring the "melting clocks"), The Old Age of William Tell, and William Tell and Gradiva
1932 The Spectre of Sex Appeal, The Birth of Liquid Desires, Anthropomorphic Bread, and Fried Eggs on the Plate without the Plate. The Invisible Man (begun 1929) completed (although not to Dalí's own satisfaction).
1933 Retrospective Bust of a Woman (mixed media sculpture collage) and Portrait of Gala With Two Lamb Chops Balanced on Her Shoulder, Gala in the window
1934 The Ghost of Vermeer of Delft Which Can Be Used As a Table and A Sense of Speed
1935 Archaeological Reminiscence of Millet’s Angelus and The Face of Mae West
1936 Autumn Cannibalism, Lobster Telephone, Soft Construction with Boiled Beans (Premonition of Civil War) and two works titled Morphological Echo (the first of which began in 1934).
1937 Metamorphosis of Narcissus, Swans Reflecting Elephants, The Burning Giraffe, Sleep, The Enigma of Hitler, Mae West Lips Sofa and Cannibalism in Autumn
1938 The Sublime Moment and Apparition of a Face and Fruit Dish on the Beach
1939 Shirley Temple, The Youngest, Most Sacred Monster of the Cinema in Her Time
1940 The Slave Market with Disappearing Bust of Voltaire, The Face of War
1941 Honey is Sweeter than Blood
1943 The Poetry of America and Geopoliticus Child Watching the Birth of the New Man
1944 Galarina and Dream Caused by the Flight of a Bee around a Pomegranate a Second Before Awakening
1944–1948 Hidden Faces, a novel
1945, Basket of Bread—Rather Death Than Shame and Fountain of Milk Flowing Uselessly on Three Shoes; This year Dalí collaborated with Alfred Hitchcock on a dream sequence to the film Spellbound, to mutual dissatisfaction.
1946 The Temptation of St. Anthony
1948 Les Elephants
1949 Leda Atomica and The Madonna of Port Lligat. Dalí returned to Catalonia this year.
1951 Christ of St. John of the Cross and Exploding Raphaelesque Head.
1952 Galatea of the Spheres
1954 The Disintegration of the Persistence of Memory (begun in 1952), Crucifixion (Corpus Hypercubus) and Young Virgin Auto-Sodomized by the Horns of Her Own Chastity.
1955 The Sacrament of the Last Supper, Lonesome Echo, record album cover for Jackie Gleason
1956 Still Life Moving Fast, Rinoceronte vestido con puntillas
1957 Santiago el Grande oil on canvas on permanent display at Beaverbrook Art Gallery in Fredericton,NB Canada
1958 The Rose
1959 The Discovery of America by Christopher Columbus.
1960 Dalí began work on the Teatro-Museo Gala Salvador Dalí and Portrait of Juan de Pareja, the Assistant to Velázquez.
1965 Dalí donates a gouache, ink and pencil drawing of the Crucifixion to the Rikers Island jail in New York City. The drawing hung in the inmate dining room from 1965 to 1981.[73]
1967 Tuna Fishing
1969 Chupa Chups logo
1970 The Hallucinogenic Toreador, acquired in 1969 by A. Reynolds Morse & Eleanor R. Morse before it was completed
1972 La Toile Daligram
1976 Gala Contemplating the Mediterranean Sea
1977 Dalí's Hand Drawing Back the Golden Fleece in the Form of a Cloud to Show Gala Completely Nude, Very Far Away Behind the Sun (stereoscopical pair of paintings)
1983 Dalí completed his final painting, The Swallow's Tail.
2003 Destino, an animated cartoon which was originally a collaboration between Dalí and Walt Disney, is released. Production on Destino began in 1945.
destino
http://www.youtube.com/watch?v=iO1ghQFSXro
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